Monday, 6 July 2009

What's in a wordizzle?

Inspired by sheer boredom at work today and by the super-human entries by Watercats and Delusions...I thought i'd give it a go myself this week.

Anyone who wants to know the rules etc should probably visit http://ravensviews.blogspot.com/2009/07/saturday-wordzzle-challenge-week-70.html - even if you don't want to play it's worth a look.

Words to include: florida, spit, child bride, operatic, busy, holding pattern, sunflowers, ginger jars, office, superintendent.

It took some time for her parents to work out that what Lucy wanted for her birthday was a Super-Nintendo and not, as she had insisted for some hours in the taxi back from Florida Airport, a Superintendent. The plane had been held in a holding-pattern above the sunshine state for nearly two hours whilst the worst of the hurricane passed below; Lucy kept busy splitting her time between singing loudly in her 6-year-old operatic style and adding to the ever-growing list of presents she absolutely had to have.

They took a detour via her dad’s office to pick up Mr Wiggles the stuffed frog: she’d been desolate to find that she’d forgotten it and pledged once again to her parents that she wanted to marry him. Her mom, tired now and developing a nasty headache, cleaned the remains of the crappy in flight meal from her daughter’s face with spit and a handkerchief and explained, for the fourth time, that she couldn’t marry Mr Wiggles because a) he was a stuffed frog and b) she was far too young to be a child bride.

Back at the house she was first up the stairs to check on her pond, spending all the pent up energy from the long flight on running around the garden trying to catch flies and seal them in her ginger jars. Finally seeming to tire she collapsed amongst the tall sunflowers and watched innocently as one hand kept Mr Wiggles dancing through the stalks. It was good to be home.

Friday, 3 July 2009

A Fate Verse Than Death

The lights go down and there is a slight hush in the audience as Jabarant Sintwort, former journalist and manager of The Prisoners, comes to the microphone

JS: Ladies and gentlemen – I know that this evening has been advertised as an extended Bingo Marathon, but the truth is that for tonight and tonight only the surviving members of The Prisoners are here with us (muffled applause). So please welcome on stage: on drums, the one, the only Mister William D. Beest (applause as a rather shaggy looking individual enters stage right wearing Jonh Lennon style sunglasses and waves drum sticks in the air)

On keyboards – all the way from his hairdressing academy in Totnes please welcome Malcolm “Milky” T Wallace (applause rises as smartly dressed man looking vaguely like Rick Wakeman from “Yes” enters and plays a few random chords on a battered looking keyboard)

Next up: please welcome the Buddhist Bassist of Brentford: Jack Hammer (a long haired individual with leather trousers and a low-slung bass enters playing a famous bass line by Fleetwood Mac)

As you all know Randy Sexpot vanished some years ago now following a freak yodelling accident. To this date we have no idea whether he is alive or dead. So tonight, on lead guitar and backing vocals, please welcome the one, the only Mr Eric “Mr Spoon” McGraw (polite, if slightly bemused applause)

Back with the band one final time from his retreat in Tibet, on harmonica it’s the legendary Howling Jay Cloth! (room goes wild as an incredibly tall and thin figure lollops onto stage, waving with both hands)

And finally: the man with a plan: he’s been described as having a voice like an off-key pneumatic drill…It’s that most neglected of pixies…Don’t Feed The Pixies

Our hero comes to the mike to the sounds of applause and JS slopes off stage

DFTP: Hello Derby & Joan Club, it’s great to be back! (there is a combined rattling of Zimmer frames). We’ve got a couple of new songs to play to you tonight – hope you like them. This song is a protest song…at least, that is, people always protest when I sing…so here goes:

Bears

I’m falling through the cracks in the pavement
Slipping on the stones in my shoes
Trying to stay dry under a fountain
Wondering how to wash away my blues

I’m trying to call out in the silence
Checking out the tracks of my feet
Smiling at the strangers who know me
Trying to stay alive on the street

And the bears may come and get me, but I don’t care
The bears may come and get me, but I don’t care

Laughing at the dangers around me
Scared of every shadow I see
Tempted by the lights and the noises
Afraid to take the time to be me

Climbing every mountain before me
Looking for the wood through the trees
Counting out the hours of a lifetime
Wondering what it takes to be free

And the bears have come and got me, but I don’t care
The bears have come to get me, but I don’t care

I’m falling through the cracks in the pavement
Slipping on the stones in my shoes
Trying to stay dry under a fountain
Wondering how to wash away my blues
Wondering how to wash away my blues
Wondering how to wash away my blues
Wondering how to wash away my blues

(Rapturous applause, combined with a few snores)
DFTP: thank you, thank you – you’re too kind. We’d like to finish now with a bit of country and western.

Ladies and gentlemen: I’ve suffered for my music – and now it’s your turn…

Picking Fleas

Picking fleas off one another, picking fleas
My neighbours dream of swinging through the trees
Between their ears there blows a gentle breeze
Picking fleas off one another, picking fleas

My neighbours are Neanderthals, they really aren’t too bright
They couldn’t find their backsides if you turned out all the lights
They wouldn’t eat banana’s, they’d rather drink some booze
If you ask them any questions, they get angry and confused

Picking fleas off one another, picking fleas
They like to swear and curse like a disease
They couldn’t quite outwit a slice of cheese
Picking fleas off one another, picking fleas

They never do a day’s work; it’s all there on a plate
You’ll often see them taking, a leak on someone’s gate
You’ll always hear them shouting and looking for a fight
And when the summer comes, they burn the evidence each night

There is some applause and The Prisoners exit the stage. The bingo begins

_________________________________________________

A note from The Pixies: The Prisoners are an entirely fictional band and have no existence outside of my head and some old CDs i did a few years ago. Any similarity with any real band of the same name is entirely co-incidental.

The lyrics are mine, for what they are worth!

Support the cause to find Randy Sexpot: buy the CD single "Where Are You Randy?" today


Tuesday, 30 June 2009

Guitar Man

First of all I apologise to those of you who are non-musicians, as some of this post involves musical instruments: well, ok - all of it.

But it's more of a history of my involvement with guitars than just about music - so I hope you will bear with me.

I first realised that I wanted to learn guitar when I was about 11 years old, but a couple of things stopped me. Firstly junior school (ages 7-10) had left me with a deep seated fear of putting myself forward and speaking to teachers (maybe i'll tell you about it one day), secondly nobody wants to be seen as a swot and young boys just don't volunteer for extra tuition and finally because in a whole two years of music we saw one Xylophone once.

The rest of the time was spent with our teacher staring at us over a cup of coffee, calling us "people" and asking us to be quiet.

So it was only when I left school that I started lessons aged 17. I guess this was because I was working with some people who were in a band at the time. Sadly their works have been lost to the ages of time and I may now be the only person who owns a recording of their songs (although I did find the singer on Facebook and gave her a copy about a year ago)

I no longer own any of my first guitars: I started off with a classical guitar, but soon found the neck too wide. For my 18th birthday (which was mumble-jumble-wumble years ago) I was given a silver Marlin "slammer" electric guitar. I part-exchanged this about 10 years ago for my current electric on the grounds that the body was very heavy and the pickup was never great, but sometimes I do regret giving it away.

Guitar #1: Dobo semi-acoustic

I bought this from my guitar teacher around 1990ish. The school where I was doing evening classes seemed to change teacher every term, so our lessons were a bit inconsistent to say the least. The teacher, Steve, used to change the titles of the songs he was teaching slightly to try and avoid copyright issues: so we learnt "Dancing In The Park" and that kind of thing.

Again the pick-up is sadly broken on this guitar - the man at the shop assures me it would cost too much to repair, but I still practice with this at home.

Guitar #2: Fender Stratocaster

Technically: not my guitar. In fact it's very much my brother's guitar. He took a few lessons about the same time I was learning, but never really followed through and can only play a couple of chords. When I finally get my house repaired I'd like to give this a home, clean it up, replace the strings and play it - the "whammy bar" (don't ask me what it's really called) is a bonus that none of my others have - so it would come in useful as a back-up

Guitar #3 - Peavey Bass

Around 1997 I got involved with amateur theatre for a while - something that eventually led to me meeting my partner (and I may tell that story one day too). To be honest it was a lot of work for not much fun - but the show I enjoyed the most was Return To The Forbidden Planet - a musical based on a combination of The Tempest and the movie Forbidden Planet.

I had the small, but vital, role of Third Bloke From The Left and my responsibilities were playing guitar and bass, looking startled and singing occasional backing vocals. I bought the Bass specifically for the show.

To be honest the only time I play it at the moment is when I'm recording - but when I do I like to pretend I'm Peter Hook (Bass player from New Order) and hang it as low as I can without hitting the floor

Guitar #4 - Current Electric

This is my current electric guitar (I'm sorry, I forgot to make a note of the make), which I bought around 2000 with some money left to me by my Nan (mother's side). Currently in storage at my mum's house until the house is in better condition I'm very fond of this one and it has a great tone.

Guitar #5 - Semi-Acoustic
This is on permanent loan from my partner's-sister's-partner. I initially turned it down on loan as I already had several guitars, but came to regret the decision. When it became clear that the person who had the guitar simply wasn't using it I claimed it back, re-strung it and have been regularly playing since.

Hopefully, assuming I get myself sorted, some lyrics will follow later in the week :)

Friday, 26 June 2009

That Final Friday Feeling

OK – so it’s not completely utterly final, but posting something on the same day each week just doesn’t suit my mentality. I’d rather go back to as and when.

However I just wanted to bring you a couple of videos to think about. The first one comes from a TV show that used to be on some years ago here called The Chart Show. They showed nothing but videos, with no presenter and no voice over – just captions, but the great thing was that sometimes they’d show the Indie charts and you’d get some pretty weird shit playing.

This one is a band from Ireland of the late 1980s called Stump. I won’t blame anyone who doesn’t get through all of the song – but stay tuned for that catchy chorus and find yourself shouting “How much is the fish” randomly for years to come



And finally – Michael Jackson. There’s been a lot of talk about him today and I think the thing is that we’ve forgotten somewhere along the line that once he was known for his brilliant music and not for his eccentricities. I think that’s what we should be remembering today.

So, as MJ’s videos are all copyright I thought I’d bring you the below tribute – which I think captures the best of his influence. Share and enjoy :)

Thursday, 25 June 2009

Words

7:30pm and I dashed for the door of the bus and onto the street, heading straight for the taxi rank. A bus journey that was supposed to take me 40 minutes to get to my destination had taken that long just to get me a mile from my house.

As I ran I had a moment to regret my existential angst in the pub earlier with CC – if I hadn’t arranged to meet up with him for a meal then I would have been there by now.

CC used to work with me about two years ago and we’ve kept in touch on an off since. On this particular day he was resplendent in his smart suit as ever despite the heat, his gaunt face supporting the usual small glasses and cigarette. He moves with a fragility that speaks of a murky past and an uncertain present, but the reason that we’ve remained friends is that I’ve always known that underneath the showman exterior is a really nice bloke who just wants to be loved and accepted but for whatever reason believes himself unworthy of such a thing.

I climbed into the taxi nearly an hour after I left him in town, already late. I hate being late. Most mornings I’m in work an hour before I need to be so that I can allow for any problems, so that I can get my shit together. I’d rather be somewhere half an hour early and sit and wait and read a book than be late: it makes me nervous.

The taxi driver nodded as I told him where I wanted to go and I sat back as he accelerated away, thinking about the meal I just shared with my friend.

CC, incorrigible as ever, had flirted with the waitress as she came and went. She barely noticed my existence, adding to the existential angst I mentioned earlier. This had begun at the bar when I tried to order and found myself in a parallel universe where I could neither be seen nor heard by the bar staff. Perhaps this is how people go missing: do people just stop seeing you one day? Do the dead and the missing still walk amongst us unseen?

CC is a man on a mission at the moment. As well as his current dilemma of avoiding his landlord (to the point where he wouldn’t tell me where he was living so I wouldn’t have to lie) he is incensed about the plans for our town, which will leave it as nothing more than an identical carbon-copy of every other town for miles around. He argued that we should have a unique selling point for the area; that we should celebrate and promote our past as well as moving towards the future. I was forced to agree with him and, inbetween nods and mouthfuls of fish and coca cola, I continued to move the conversation back towards persuading him to pose for me.

Because normally on a Wednesday evening I would be going to the Art Group, if only because it gives me time to sit and practice and I had hoped to do a series of paintings of people for 2010. . So far, despite several emails and two postings on facebook, CC has been my only volunteer meaning that my project is almost dead and buried. In the mean time CC has agreed to pose for me, if only he can come out of hiding long enough to do so!

So last night, as I sat and watched the meter on the taxi zoom around at 100 miles per hour, I was Trying Something New.

It all goes back to my course in Celebrancy in May. One of the people on the course mentioned that she was a member of her local Toastmasters association – and if I had been starring in a cartoon at that moment then a little lightbulb would have appeared over my head. As it was: it didn’t

Now I’m as big a fan of grilled bread products as the next person, but joining a Toastmasters group has nothing to do with the perfection of any bap, baguette, sandwich or other toast related product: not even slightly – although such an organisation is clearly in high demand if the complaints about the on-site catering at work are anything to go by: toast not done on one side, toast soggy, toast too black, toast not black enough. When you go into a meeting with the caterers these days they seem to reach a little quicker for the knife drawer than once they did.

Toastmasters is actually a speakers club and gets its name from the old habit of toasting someone or something at the end of an evening or an event: for instance toasting the bride…even though the last time a bride was actually toasted was when the French dealt with Joan of Arc some centuries ago (NB: apologies for that one, it seems to have bypassed my good taste sensors)

And I don’t really know what I expected when I arrived in my highly expensive taxi: a bunch of Chelsea Pensioners, resplendent in their red uniforms and festooned with more medals than Michael Phelps perhaps? Would there be a secret handshake to learn? Would the room be full of real ale drinkers, pipe smokers and members of the handlebar club (IE people with unusually large moustaches and beards)?

Happily the truth was that when I arrived, a mere five minutes late but significantly less well off, the occupants of the small room looked relatively sane and normal: at least as sane and normal as people who enjoy being timed as they talk can look.

I walked in as quietly as I could manage, followed by the loud hiss of the electric doors closing behind me. A man beckoned for me to sit next to him and immediately began a whispered introduction as to what would follow.

First on the agenda was a warm up exercise and immediately I found myself amongst the unwilling volunteers – asked to explain what I most wanted to do on a hot summer’s afternoon. I explained, quite succinctly, that I was Pixie-man, that I was very sorry for being late and that the thing I most liked to do on a sunny afternoon was to go out on my bike and enjoy the countryside and to paint very badly.

After this there were three pre-prepared speeches by members which were timed and evaluated by other members: as they spoke a woman with a stop watch monitored them, flicking three separate lights as time ran out: first green, then amber and red to stop. Then the evaluators came forward and were, in turn, timed. I began to feel that even the person doing the timing must be timed and that at some point someone would come forward and say “There was a two second delay before starting the timer on speech three and the red light stayed on for an eighth of a second too long” – but this never happened (although it would have amused me immensely if it had).

Following this, and prior to the break, was an open topic section – where one person would come up and suggest topics and pick a volunteer to talk about that subject for two minutes (that’s “Volunteer” in the usage that occurs when your boss asks for a volunteer to re-do the filing from alphabetical to date-received order). No preparation for this one, but again the stopwatch came out.

In the break I bought a raffle ticket and the friendly man asked me all about why I was there and what I thought and I did my best to explain about being a celebrant and again realising that I am doomed to spend the rest of my life explaining what the hell one is. Friendly man, however, seemed genuinely interested in my story.

Then, as the meeting came towards a close, I felt the inevitable tidal wave of fun turn in my direction as friendly man revealed himself to be the club president and asked for the visitors to come forward and say what they thought of the proceedings.

This is what I said:

I just hope that I’m not being timed for this! Normally on a Wednesday night I’d go to my local art group, which at £1.50 per night is the cheapest night out you’ll find anywhere – but everyone there is in their 80s and they always have the tables laid out in the same way, always sit in the same places: and woe betide anyone who takes their place or suggests something new.

What’s been really nice here tonight is how receptive everyone has been to the ideas put forward and the speakers who’ve been so great. You’ve all been very friendly to a stranger: thank you for having me I hope to see you again.

And then, with a small round of applause, the meeting closed…and I went home complete with the bottle of wine I’d just won!

Thursday, 18 June 2009

That (Virtual) Friday Feeling

Quick apology and quick posting here - as i'm not going to have access to the internet tomorrow because i'm off work - which makes Thursday a Virtual Friday.

As it happens the future of TFF is currently under review - i really don't know how you guys manage to post about similar subjects/themes on specific days each week and applaud you all: my brain must be too random.

Anyway: i was watching this programme on comedy songs and they played a bit of this by Victoria Wood - who is, in every sense of the word, an annoyingly talented individual. Watch it, enjoy: if you don't laugh at least once there's something wrong with you

Points will be awarded for every faded 80s TV star UK readers spot, or for my transatlantic readers - for every bad perm-hairdo

Wednesday, 17 June 2009

The Good, The Bad And The Moggie

The distant sound of a drum, beating out a staccato heartbeat: the rustle of the wind through the leaves. A Spanish guitar is strummed four times and the chimes begin.

Stranger crouches low in the ground and the camera pans around the horizon, taking in the unmown grass.

Tiny emerges from the house, pacing slowly. Cut to close up of Stranger’s eyes. The guitar sounds again, accompanied by an orchestral swell. Tiny stops, tail bristling in the air.

Wide shot of the garden. The chimes sound again and we catch our first glance of Furry, still standing in the doorway: watching patiently. Stranger stirs in the grass, meows, but does not back down.

Tiny edges forward and the almost audible soundtrack reaches the bit where the choir kicks in. Tiny is calling now, her voice hot and insistent: you are not welcome here.

Stranger makes his first mistake, answering back and thinking the shade of the nearby fence will protect him. The camera cuts to an extreme close-up of Tiny and the guitar sounds a single note repeatedly and tails off. She seems uncertain as the music fades again; her plaintive cry sounding like a child as she calls for re-enforcements

The mariachi band horns come in, sounding loud and vibrant. Furry is moving away from the doorway, sauntering towards the unwelcome guest, keeping a wide circle from Tiny and never letting either one out of his view. He stops to one side of Tiny, adding his voice to hers as he enters the ring: three may enter, only two can leave.

The horns cut out and for a long moment there is no sound but the chimes and the wind. The camera cuts from each face, waiting for someone to make the first move.

The camera cuts closer and closer, faster and faster from one face to the next until you can see each whisker bristling, each set of eyes narrowing into pinpoints.

Furry howls again: one last chance, he seems to say, just one last chance. Stranger makes his last mistake: goes for his claws.

There is a blur of movement and noise as Furry and Tiny leap as one, scrambling with the intruder and forcing him under the fence. There is the noise of a continued fight from the neighbour’s garden behind: then there is silence.

Three have entered: but only two leave. Tiny and Furry saunter back to the food bowl, collars lost or damaged but territory intact.

And from behind the neighbour’s fence Stranger watches and wonders when his time will come again.

The grass stirs in the wind and is still